it’s five weeks since (get ready:) my abdomen was opened with an 8 inch gash, all the innards rearranged and made all nice again, then sewn up. (ok, you can look now.) i feel really good! i have neither the strength nor energy that i will have once fully recovered, but except for sitting down more often to rest, and the naps (!), i’m in fine fettle! one more week and i can begin driving again. at that point i hope to take on again half the shopping, cooking, and clean-up, start building the fires in the wood stove again, etc. carroll has been carrying more than her share! meanwhile, though, i enjoy her cookery: such as, tonight’s luscious beef stew!
Carroll’s Stew
me and my surgery
OK, it’s over, I’m back, and I’m feeling good….
I had major abdominal surgery Monday, January 25.
This pic is me just back from hospital, about 12 pounds lighter, looking like death warmed over. I’ve improved since….
I chose to undergo this surgery, because I wanted to be a whole person again. I knew it would be tough: I had the same operation 11 months ago under emergency conditions, which couldn’t quite finish the job (too risky). It took me five months after that one to choose going through it again.
I prepared for it a month: physically (diet), but especially mentally and emotionally, projecting myself into my future self newly healed and whole again. Which was the point.
Carroll suggested visualizing the institution, which has me sprawled on a gurney wired up and I.V.ed to the max, as caring for me, not imprisoning me. Good idea.
I spent a full week in hospital. Sunday, January 31, talking to the surgeon doing rounds about leaving the next day or two, she said, “Well, you could go home today if you want to.”
This pic is after several days at home, a couple of pounds heavier, appetite good, food good, loving care. It says, “I’m back! Bigger and badder!”
Home! I was well cared for in the hospital, but it remained an alien, stressful place especially at night: no one around, huge empty spaces, eerie lights and sounds, a blank canvas for bad dreams and half-waking paranoia.
Home heals. Don’t ever let anyone tell you home doesn’t matter, it’s just a place. Please: it’s home.
Today for the first time since the surgery I did some art – these 6 little pics to tell some of the story. (All are done with India Ink on 11” x 7½” 140 lb hot press Fabriano paper. Oh yes. Ink applied using my favorite ½ inch thick stick, found in my yard.)
That art imagination and energy are visiting me so early in my recovery is amazing! Last time, it was MONTHS before any sign of artistic imagination re-appeared, much less the energy to DO something!
It took a lot of energy. It tired me. AND it fulfilled me, it made me feel good, and it was most healing!
Last time, it was not until i went to New Zealand 6 months later that anything really happened for me in art! Then, finally, a lot poured forth.
This time, not only am i up to something art-wise after lesss than 3 weeks, just look what’s happened with this little self-portrait: I’m completely absorbed in making the drawings, not thinking of myself at all; and I’m younger and better looking….
You can’t really beat that. I mean, come on! Art! It’s magic!
Count down
IT’S A TOUGH MOUNTAIN TO CLIMB, AND THE VIEW FROM THE TOP IS TO DIE FOR!
Looking ahead, less than a day to go, surgery about 9:00 a.m. PST tomorrow. I am calm and confident, looking forward to the event and – most of all – to my future self, whole again in body and wiser in spirit for the task successfully accomplished!
This painting grabbed me by the lapels this morning and demanded that I realize it on paper. The vision of a mountain crag first emerged for me in 2002 on a painting trip I took through Oregon (stopping first at Mt Shasta). It has been haunting me closely these past months, beginning in New Zealand, then in Baja.
Apparently this is a mountain that I need in my life and that, just now, I need to climb.
I’m buckling on my gear, and I’m ready for it. I welcome it! And I will rejoice in the view from the top!
Hidden
This is a drawing I made January 14, 2010 at the Thursday Night Drawing Group (TNDG) session. BTW, we’ve been meeting 12 years.
That night, I was using only watercolors on 300lb cold press paper (Arches). That’s the paper with dimples and heavy sizing, so the watercolor stays on top of the paper, easily mixes colors; and, as the load of paint in your brush diminishes, you get these great missed spots of white on the paper peeking through the color. I chose to limit my medium this way to channel my art in new directions.
This piece, which I title “Hidden Woman,” simply leapt off the model into my imagination and then onto the paper.
I saw a strange thing.
The model was entirely nude and exposed, sprawled with her pudendum in brightest light.
Yet her face was invisible, in shadow, hidden.
It might be a comment on our time.
Operation Whole Person
Monday Jan 25th I go in for surgery. Five days in hospital, some weeks to recover. You can read more about it below, if you want. First, the art!
I’ve been preparing for a month in all sorts of ways for this operation. A couple of days ago, two watercolors insisted on becoming visible, and here they are.
The first is “Dread of Surgery.” It’s tiny: 7½” x 5½”. I don’t suppose it needs explanation, and anyway I have no words to add.
The second is “Outcome Optimism.” I need to work on these titles: they are uninspired! But accurate. This one is 11” x 7½”. Again, what you see is what you get.
For your amusement (and mine) I include here also what’s on the BACK of each. It turns out I used paper recycled from a recent culling of my old figure drawings.
The back of “Dread” especially – a Funky Figure – I feel is perfect to accompany the dark “Dread” itself. You surely don’t think it’s an ACCIDENT that it was back there, do you?!?
The other one, the back of “Optimism,” is totally random.
Medical TMI for the curious/those who love me THAT much:
This is the fix-it follow up to emergency abdominal surgery I had eleven months ago, in late February ‘09. I knew that more remained to be done, but it took me five months to come to the point of being able to imagine CHOOSING to go through that surgery again. Now I’m getting ready to do it (clear liquid diet today and tomorrow).
“Whole person.” You might think this surgery is merely about having a whole body – but believe me, its reach is broader. And on all those levels, I am very stoked to be doing this, anticipating HAVING DONE it and being all fixed up again, the way I was before.
Recovery was slow before – I’m fully back really only the past couple of months in terms of energy; creativity was back in late August, September in New Zealand. Recovery will be faster this time because I’m not going into it sick and near death. Also the anesthesiologist heard my pleas and hit upon ways to keep the various drugs at minimum amounts to do the job. That will help: recovering from the drugs was part of what made it hard before. I’m hoping for fewer (or no!) paranoid hallucinations on the opiates and no cognitive losses once back home, unlike before. I’m an optimist: I think I’ll get all that – and more that I haven’t thought of!
Thanks for listening!
doodle mystery
i’ve paid too little attention to my doodles. mostly, doodles come from deeper than consciousness. so whatever they might be doing – posturing, strutting, slumping, gloating, despairing, whimpering, sniggering, wondering – they’re doing it with no forethought and no agenda. they are honest little brats.
i like ‘em. here’s me, i’m on the phone. if it’s a business call, there are periods of waiting. i doodle. even when the conversation is moving, and even if it’s someone i like talking with, doodling can happen. no necessary relation to the topic, but it might have.
this one. the drawing seems totally random, unrelated to the words, which are pieces of stuff mentioned in the conversation: ABC license and press release. don’t ask; it doesn’t matter.
but the picture: is that a self-portrait? the little guy – is he a thought in the big one’s head? is there any meaning in this at all?
i like the flag lying on a table and then cascading over the edge. late model jasper johns? i don’t think so.
i’m just saying: it’s something to wonder about.
a doodle in space
Think of doodles as fringe drawings: from the fringes of the unconscious.
Doodles can be our friends. Paul Klee had doodles actually living in his studio! They used to show up regularly at those Bauhaus parties….
The outline of a drawn object represents the place where the object ends and the background (next object, container of the object, etc.) begins.
So what about an object floating in empty space? No outline?! You’d want to blend it into shadowing of the object.
Here is a doodle from Captain Zero’s log, Star Date J709MSQRL1935-2/4/8:
[From the log:] “Depicted: a B7 Framptis disconnected from the jar ball gear and with the slide pelb so worn, it looks as if it’s been pounded with a hammer! Probably the gyroscope oscillator worked loose enough to pound the pelb during maneuvers. It would not have been so loud as to be heard with the engines revved.”
taking the hint
Kant hints
that I am God
looking back at myself
as the world, and in time.
Dare I believe, then
that these moments
of eternity
are as much my homecoming
as they seem?
cold. snow.
There I was, boyz and girlz…alone on the bone-chill balcony, Creekside 20 at Bear Valley – the best spot in the place – standing still in sub-freezing weather with my hands in water … painting watercolors.
Insane!
BTW, Santa brought me that jacket (carhartt), and it is warm and tough! (Like me!) (haha)
Here, I want to show you seven little watercolors from that moment — on Arches 300 lb cold press.
Three of them are 5½” x 7½”, three 11” x 7½”, and one is 15” x 11”.
They’re sized in proportion (and tagged).
I don’t have titles for them yet.
They’re just scenes of snow and trees, one also has kids and a dog.
There’s always kids and a dog somewhere, if you look around, ain’t they?
I was happy as a clam painting there while the snow fell — or the icicles on the roof eaves dripped melt right past the railing, sometimes splattering my imprudently placed painting — doing what I love.
You’ll notice, i’m floating these paintings on a dark background to let their lovely raggedy edges show, instead of cropping tight to the painted area. That’s the natural tear of the paper.
cold. snow. This was Yosemite country just a couple days before 2010 staggered in to warm its hands by the fire.
A creek ran along the bottom of the little valley i was painting, and on later days the melt let the grass show through a bit in spots — which is hard to see with these small reproductions, except in the largest, the 15 x 11. Makes me kind of wish i’d done click-enlargements for some of them. But I didn’t, did I?
I loosened up a bit on the 6th and 7th paintings. I was warmed up from the others, had a good sense for what i was painting, by then; and there was something about that golden green tree standing in front of the others that demanded something freer.
I had a go at it.
Thus:
There were eight of us: Alli & T-bird & Crack, Dew-dew & E-Guy & Liesel, Shoobs & Pops.
Oh, and Thomàs the mellow yellow dog was with us, also known as Mana until Rangi’s little brother got named Manu, at which point Rangi announced the dog’s new name.
Which i assiduously respect. But some others rudely slide on this.
Which they definitely would not dare do if the Rangman were here in person to exact discipline. [See Dec 6 post for the Grom.]
It’s all there at Bear, the snow-fun: skiing, snowboarding, sledding, cross-country. Snow balls.
Night falls, indoor rec: Wii games and tripoly, poker, rummy or gin. Vodka. Pink Muchachas [4 parts fine rum, 1 part fine vodka, ½ part cranberry juice].
We did have Jimi’s Back-Country Chili, too, by jove! [See Dec 15 post.] And good! Though I did back off on the spices some, out of concern for the ladies, and I kind of regretted that….
Deep snow. More came. Four-wheel drive or cable chains. Or both. 7,000 feet at the condo, 8,000 on the slopes.
High altitude short breath at first.
It was snowing when we left. It’s probably snowing right now. Look outside and see….
HAPPY NEW YEAR!
i’m posting a dozen holiday nudes here, all but one drawn december 10 and 17, 2009 (the one on the right is from october)(i thought you’d like it because it’s so christmas-y!). most are watercolors; a few also are pencilled or inked. the three above are the largest: around 23 x 16 inches. all the rest are 15 x 11.
these drawings were made during poses lasting 10 to 20 minutes.
every one of these drawings is a square-cornered rectangle, i swear! any irregularities of shape are due to my crap-brained amateurishness in photography. the delicious raggedy edge is by design, tho, and that’s why i didn’t crop them. it’s the natural result of folding, breaking and tearing this heavy (300 lb) paper instead of [gasp!] cutting it.
click on any image to go to a page with double-size ENLARGEMENTS of them all. click on d.i.y. to come back here. knock three times on my kitchen door to receive a cup of tea and a big smile.
our model december 10 at times played most winsomely with a parasol, bringing to mind wonderful images of geishas as well as people strolling, walking, running in the rain with umbrellas. don’t you just wish you were doing that right this minute?!?
it wasn’t all china and rain. there were also universal themes; such as the mysterious fem, and the broken-hearted fem. i think.
our december 17 model was Michal, also a talented actress who played Puck in Midsummer Night’s Dream not long ago – a fabulous part! she did get a bit puck-ish now and then, too, i’m glad to mention. the middle drawing of the top three is also Michal – or at least it’s a few of her….
these final drawings are done with india ink. i was really happy to return to that medium, which i had not used recently. my favorite instrument with the ink is a 6 or 7 inch long stick, about 5/8 inch thick, that i picked from my yard and whittled a bit. i love it’s rawness.
happy holidays to all, and to all a good night!
R.
This is a two-minute sketch of Rebecca
made Wednesday Dec 2. It is drawn with
a soft graphite stick (9B) on 24″ x 18″ newsprint.
The newsprint is in a pad that
has a rumpled quality from lying forgotten
in the back of a damp pickup truck.
I love this little sketch.
maybe it’s the fine ass.
I have a few other nice ones in that pad too, in spite of the rumpled thing.
But I’m probably not going to use it anymore: it’s like drawing lines across a plowed field.
It’s always a pleasure drawing Rebecca. She is one of the best models in the area.
Recipes: what are they? If you know how to cook what you want, you don’t need ‘em. If you need a guide, they can be good. Sometimes when something I cook works out well, I write down the recipe for it.
This one is from 2006. My family has a tradition of going to Bear Valley between Christmas and New Year’s to ski, snowboard, play board games. We also eat.
This recipe was originally for 12 servings: that was before some of us moved to New Zealand. I’ve made the chili again each year: it has become a little tradition of its own … it is also known affectionately as “road kill chili.”
This year I made it for a smaller group: 6.
Here’s that recipe.
[Prep: 30 minutes. Cook: 3 hours.]
1 lb beef (e.g., boneless chuck) in 1” cubes
½ lb ground beef, ½ lb ground pork
1 large onion, coarsely chopped
4-5 fresh garlic cloves, minced
1 fresh jalapeño, stemmed, seeded, minced
4 tablespoons New Mexico chili powder
1½ tablespoons ground cumin
1 teaspoon ground cinnamon
1 28-oz can peeled, diced tomatoes & juice
1 15-oz can chicken broth
1-2 teaspoons salt and black pepper, to taste
2-3 tablespoons olive oil
2 15-oz cans black beans
Season meat cubes with ½ teaspoon salt and fresh ground black pepper. Heat 1 tablespoon olive oil in a cast iron Dutch oven over medium high heat. Brown the beef cubes, stirring frequently, adding oil if needed.
Add ground meats, salt & pepper, and repeat process.
Add onion, garlic, jalapeño, ½ teaspoon salt; and, if needed, a
tablespoon olive oil. Cook over medium high heat, stirring often, until vegetables soften and lightly brown, 4-6 minutes.
Stir in: the chili powder, cumin, cinnamon, and salt to taste. Cook for one minute over medium high heat. Stir in diced tomatoes and chicken broth. Simmer covered for 1½ hours, adjust seasoning if needed, and uncover for one more hour, stirring occasionally.
Drain and rinse 2 cans black beans & add; cover. Simmer 20 minutes and serve with corn bread, rice, or saltine crackers.
YUM!
Phase two of work in progress
– and maybe the final (for this painting..)!
I like it! It’s what I wanted.
I love the yummy sensuousness of its details.
I love its dynamic central figure.
I find really attractive how the background figures are clearly distanced behind the central figure and yet are so strong and assertive in their own right. It is as though they were plucked straight from an eternal existence into this placement here, in the world made visible by this canvas.
I was VERY happy with the painting I did earlier in the week. Gradually, though, I came to feel that its right half was off a bit.
I wanted to make the swirl and the vertical more integrated. I thought of introducing some of the rich burnt umber of the swirl into the vertical.
What I actually did was the opposite: the yellow ochre mud of the vertical came to reside in the swirl.
The hand follows the heart; the head tries to keep up.
My main tool was a little square mat board scrap. Using it, I reshaped the right side to do three things:
• Integrate swirl with vertical
• Decrease black
• Sharpen blockiness of vertical
Here are the two versions side-by-side, for comparison. [Scroll down to the previous post (dec 9) for a larger pic of the first version.] (Subtle difference in color is due to lighting and my amateur photography, not to painting changes.)
Even after lapse of a few days, I’m happy with the changes made. MAYBE the painting is finished!
I like the sense of robust strength given to the vertical by the blocks, especially the large, scraped-off section at bottom right. It adds gravitas to the figure, giving it a solid support to rest on holding the uprights – as sturdy as large poles set in massive concrete.
The earlier version lacked this solidity. What its vertical had instead is the power of a rocketship blasting into takeoff. There was tremendous pure energy unleashed in the first version. This new, revised version, as it were, civilizes that power, turns rocket-take-off into a powerful construction, a natural edifice.
It’s the difference between action on the initial, mad impulse and the thoughtful return to tweak the results…
You pays your money and you takes your choice.
SPEAKING OF MOUNTAINS — something is happening to me, as an artist, about mountains. I see them in sharply delineated blocks set off by contrasting shadows cast in bright sunlight.
In New Zealand, I was obsessed with those images, visible to me daily across the bay. Like these:
Even in my brief Baja stay, this mountain muse haunted me. There was this:
On our way out
from the backcountry to the airport,
we passed through wonderful, dry,
rugged, mountainous territory
that screamed at me to come back
and paint it. And so I will!
I’m thinking that maybe I am
RELIVING THE BIRTH OF CUBISM!!??!!
Cezanne began it with mountains.
Braque and Picasso picked up on it from Cezanne
– as in this early Braque. Cezanne and Braque. Check ‘em out:
Cubism went to some strange places; I don’t think I want to go there. I’m just saying.
work in progress
YES!
I’m working again!
i’ve been paralyzed by having a clean and well-organized studio. what a curse that blessing can be!
i’ve done scarcely anything since new zealand; just a little taste in baja, and recent flailing with figure drawing.
this morning i simply HAD to paint in oils! and now that i’ve produced the image i had in mind, i just HAVE to post it on my blog, i’m so pleased.
of course it is completely impossible that i have any ability to judge this work at this point. it may not be complete. it may be awful and i’ll just want to burn it, later.
but right now, it’s mine baby, and i’m happy with it!
woman
No, definitely I have not forgotten about or abandoned figure drawing. It’s still basic, and I improve my drawing abilities in general as well as for the figure by drawing the figure over and over again.
It really does make a difference.
Each figure is unique, presenting its own special challenges and offering possible rewards for them, for the lucky artist who rises to the challenge. The eye and the skills developed by tackling the hard parts underpin a growing facility to lay down line or color that transcends literalness to capture essence.
Hoohah!
This drawing I’ve posted here incorporates two or three views of the woman model. It also shifts between emphasis on color, line, and form. Those factors help the drawing stay true to the living reality of a woman, giving a sense of motion and change, in keeping with the essence of life — which is, improvisation.
The drawing dates from November this year.
shards
Here are nine recent small paintings of mine.
They are “Shards” because they are broken pieces of a single, whole painting.
Why did I do this?
First, because I felt moved to do it. Most of my art is like that: feel first and think later. I have been drawn off and on for a while to use shattered materials in my art: ripped canvas, torn paper. It reflects a sense of the broken dystopia of the world we live in, which is superficially papered over by our relative wealth and privilege.
……………………………………………………………………………………………………………….And second, there seemed a good chance that each piece would make an intelligible whole by itself – which is the hope I cherish for our world and how I make my life.
Each piece by itself no longer dutifully carries out its task of making up part of a greater whole. You might say, it rebels and strikes out on its own in search of meaning.
Shorn of reference to the meaningful whole of the painting from which each is torn, the pieces go their merry way, mostly referring to little beyond themselves: small paintings with bad attitudes.
And yet some of them evoke echoes of a meaning beyond themselves, as though they were being dreamed by a being on another plane. i feel that way myself.
I find myself turning increasingly to such themes, though not exclusively.
I will NOT provide a picture of all the pieces put together as though it were a puzzle we’d solved. It is of no interest. Looked at from a distance, perhaps with eyes a bit squinted, it would appear to be a conventionally healthy solid whole residing in a stable world.
Bah! I spit upon it! It is nothing! Much better is the honesty of ripping it apart, tearing it to shreds, to reveal the underbelly!
Or, with or without the spit, it can be done the way I did it: I tore up the paper first; and then, laying the pieces back together again, I made a painting. Afterwards, when I picked them up again, they were shards.
All of the shards in this series are done in watercolor, pastels, and pencil on Arches 300 lb hot pressed archival paper.
No paper was injured or killed in making this art.
grom
Rangi is my grandson, and i’m so proud of him i could burst! A great heart and a fine athlete. He’s ranked 4th in all of New Zealand in his age class (under 12), referred to in news releases as emerging talent. Well, he is! ♥ ♥
Here’s what they say about him:
“Above – Nine year old Gisborne surfer Rangi Moore competing at the Rip Curl GromSearch at Gisborne this weekend. Moore is a newcomer to the national competitive scene but starting at such a young age, he will be a rising star to watch in the future. Photo: Kiwi Surf Magazine” (Pic & text lifted from the mag)
in defiance of gravity..
Gravity draws everything to the core, forming a ball: the planet.
Anything that lives, and anything human-built, thrusts away from the core in defiance of gravity. It is an event shattering the quiet spell of gravity, breaking off the contented hum of nothing nowhere by the sudden emergence of something taking place.
A tree, thrusting itself away from the clawing hold of gravity’s ball, lunges away from the silent core and bursts into the open, making it be true that there is a place to be out there beyond the ball.
The tree takes place and thereby makes place be. It does not jut up into previously existing empty space. It brings space into being by taking place.
Out of nothing, it creates something. Out of nowhere, it creates here.
Willkommen!
oron & manu
shiny, bright, new
This is a story of shiny, bright, and new.
It’s also about BEFORE and AFTER totally grunge-down cleaning and organizing my studio – following ten years of not really sweating it…!
This photo is of the spanking NEW sink and storage area that never ever ever existed before. NOW it is part of my studio!!! (The AFTER picture..)
Ten years ago, I leapt incautiously from the safety of the cave and the thick bushes at the top of the cliff off the edge into … my third career: Artist.
Carroll always has been supportive of my artistic yearnings. For my birthday that year, she gave me $600 cash to start a studio. I did.
Finally, after ten years of using the studio — ten years of punctuated chaos — I could no longer find anything or do anything. Aaaghhhh!!!!!
Survey this mess:
Marilyn was part of the whole BEFORE debris, buried in piles. The north end of the studio has a crucial worktable: buried.
NOW look at it – would you believe??
Finally, AFTER, a usable worktable emerged from the debris, looking out onto the charming rose garden out the sliding door. Also, the wood stove got repaired and re-painted, most rewardingly resulting in delightful relighting….
More BEFORE:
BEFORE, there was the dreadful chaos of the desk end of the studio.
Previously, books were completely out of control. NOW look at how orderly they are, how they all know their places and stay right there! (Until I start carrying them around using them again….) NOW the stairs are so clear, you can walk up and down them!!!
Under droll and commanding leadership of darling Carroll, order is established once again!
We even dug out the marvelous Rampaging Buffalo previously half-hidden behind stuff. He’s my mascot….
AND I have a giant sheet of paper pinned up on the wall ready for me to mark all over it: Arches 300 lb hot press. 7 feet tall and nearly 4 feet wide! Whee!
Now THAT will be fun.






































