Archive for the 'My art' Category

04
Sep

estero san antonio

Estero San Antonio

this artwork will show at sebastopol center for the arts september 16 – october 23, 2010 with an opening reception september 16, 6 – 7:30 pm. its size: H26½” x W34½” x D2½”. priced at $750.

i wondered exactly what an “estero” is, so i climbed high above the estero just north of dillon beach on the california coast, dragging my art equipment, so i could study and paint the damned thing at my leisure and in the high winds blowing that afternoon on the coast, until late afternoon when the fog rolled in and the temperature dropped down somewhere in the vicinity of china.

what makes an estero (since you asked!) is a frail coastal barrier, like the slender band of beach to be seen on this depiction toward upper left. when the tide runs full, it floods over the barrier into the inland area meeting the flow seaward of a creek or river draining the inland hills. so you have the creation of tidal pools, and a lot of flow of brackish water. when the tide runs out again, much water remains caught in pools or in marshland.

i created this piece, in moments of inspired insanity, using both soft chalk pastels and good old rugged oil-based paints. i like the results of mixing unlikely mediums. in this case, there are drawbacks — not for the art itself, where i like the results for creating a sort of hallucinogenic realization of what the place in fact looks like; but for preservation of the art. need i tell you? pastel can just disappear off the canvas into a pile of oddly colored dust on the floor. i consulted our local high-end framer, the one trained in museum framing of genuine picassos, matisses, etc. she custom built a box frame for the piece mounting real honest-to-god museum glass in it, looks incredibly great — i should be showing a pic of IT! — cost me a fortune, and it’s good. (the $750 price is a steal.)

the show is called “mapworks: the map as art,” which seemed a natural for this piece, so i entered it. juried by kim anno, professor and chair of painting, at the california college of the arts, san francisco, ca.

go see it. or at least wish you could!

20
Jun

father’s day in the homeland…

A Father's Vocation...

I always love it when one of my kids — or even someone else’s! — wishes me Happy Father’s Day. I don’t suppose any dad is holding his breath about it, or thinks less of the kids who don’t pass him the wish that year. It’s optional. Hey, I’m happy waking up to have another day!

Challenge

Lots of sappy stuff is written on Father’s Day, though mercifully not so much as on Mother’s Day! Nobody quite manages to define a dad in spite of all the forced trying. Yet it’s simple: Dads fix stuff.

Today was my day to fix the toilet seat. It was loose and wiggly. The seat is held onto the giant porcelain bowl by a 5/16th inch bolt. On the underside of the porcelain shoulder that the bolt goes through there had been a fat plastic washer and then a nut to snug the washer up against the porcelain. The washer broke and fell off. The nut could not be tightened sufficiently to hold the seat steady. Looks like a job for a dad!

The good dad prepares his equipment. I needed a new washer to replace the broken one. More than that, I had developed an ardent desire not to have to do this repair often — in fact, ever again. You see, I already had to get down on the floor on my back and creep in between the cupboard and the giant porcelain bowl even to see what was going on. It may look roomy in my not-to-scale drawing, but don’t believe it! First I got down to see the scene. Then I got up, got a needed tool for turning the nut, got back down, wormed my way again into the available crevice with both arms close to breaking off, turned the nut, discovered that it would never in the wide world get tight no matter what, and wiggled out again.

It’s what we do. We fix stuff. It’s because we love you.

Solution

So, yesterday or a few days before, I had gone to the hardware store to buy a few urgently needed supplies. Oh, you may not know about this. There is always at least one more trip back to the hardware store. In this case, i had estimated the bolt size at 5/16, let the helpful clerk show me a similar toilet connection and prove it was 1/4 inch, and so brought home the 1/4 inch gear — the wrong size. Hence the second trip. No hard feelings.

The plastic washer that used to snug against the underside of the porcelain shoulder of the bowl was broken and had to be replaced. I got a big rubber washer to do that job. But that wasn’t enough to ensure that I would never ever ever have to do this particular repair again. I also selected a lock washer to go on the bolt between the rubber washer and the nut. Are you following this?

The nut squishes the lock washer against the washer, which in turn is snugged (I love that word!) against the porcelain. The lock washer locks, meaning that the $#%%##$^@ nut won’t come loose!

Ah, but that isn’t enough for the doughty dad who, by dint of vast experience, knows full well that things which cannot happen often do happen!

Hence, the overkill. You simply must overbuild anything you build so it will stay built, and by the same token you must exercise extreme caution to assure that other stuff will stay put the way you want it. This is a dad’s credo. We live by it or we die by it.

In this case, the credo of overdoing requires not only the lock washer but also the second nut. Yes, the second nut. That’s the nut that gets tightened up against the first nut constantly reminding the first nut that it’s job is to stay tight and not to come slippy-sliding back down the thread of the bolt getting all loose and wiggly.

Then of course the good dad does the same thing on the other side of the bowl, because if one side goes bad, the other side can’t be far behind! Indeed, in this case, the fat plastic washer was already well on the way to shattering and cascading merrily down onto the floor, to be unknowingly swept out with other trash.

Were it not for the good offices of a good dad, that toilet seat would be wiggly right now! But now, oh yes, now it is as solid as a rock!

Happy Father’s Day!

30
May

wisteria x 4

Click on any image to go to a page of enlargements of the images (they’re really much better bigger.)

All pics are of charcoal drawings on 18 x 24 inch newsprint dated May 6, 2010.

Playing House in the Old Barn

Seated Insouciant.

Waiting for Him to Look Up....

Who You Lookin' At??

……………………………………………………………………………………………………………….I change mediums frequently doing life drawing. One good approach is to mix mediums on each drawing; for example: watercolors, charcoal, and pastel. Odd combos offer fun drawing and weird, unpredictable results — which i like. Watercolors reacts with surprise to pastel; charcoal is jolted awake by crossing a watercolor path.

Another good approach is to choose one medium (or two or three) and stick to it throughout the evening’s drawings, beginning with quick gestural poses one or two minutes long and staying with it through intermediate length and long poses — however long those might be (for TNDG, usually 20 minutes).

All four drawings posted here — and all the others that night — are charcoal on newsprint. After awhile, i begin to get the hang of it, the skeleto-muscular structure of my whole body — especially, but not only, my hands and eyes — gets the rhythm of the model’s body in space as well as my inner rhythm of the moment.

The model for these drawings is a new one for TNDG, and a good one: Wisteria.

12
May

huh??

A niche market...

OK yeah sure i could have chosen SOME OTHER image to come back to my blog with after absolutely nothing, no sign of life, since april 27. it’s spring! there are flowers! would it be so hard to upload a couple of flower pix??

i have flower pix. don’t think i don’t. but this doodle strikes even closer to my heart than pix of lovely roses. red roses. pink roses. white roses. multi-colored roses. we’ve seen ‘em. they’re everywhere. i’ll post some later.

ever since january i’ve been thinking thinking thinking about a bunch of stuff making notes and thinking. maybe eventually it will come into really writing it. or not.

anyway to my surprise just today my train of thought huffed and puffed and chugged into the station at TRANSCENDENTAL, and how was i to know that was even on the way?

so this little doodle came.

i’m OK.

27
Apr

elsa x 3

Elsa #1

Elsa #3

Elsa #2

……………………Three drawings of Elsa I made April 22, 2010 at Thursday Night Drawing Group. Slow to post? Yeah, thinking of other things.

22
Apr

Head and heart in art

2010, 300 lb Arches paper, 66 x 45 inches

Artists draw upon intellect and feeling to create art. Either one can trigger creative imagination.

“Intellect” means concepts for an artwork that plan it and explain it. At the maximum we get “conceptual art,” in which the concept itself is the most important part of the artistic creation; making the art can be done by someone else following the artist’s instructions.

“Feeling” seems closer to us and easier to understand. We don’t have to give reasons for our feelings, because feeling is an alternative to reasoning. Feeling is sub-vocal, not ready with words.

The sub-vocal source of art is deeper, more substantial, and more rooted than the chatty mind of intellect. It’s “existential,” because we have it just by existing, and we don’t go to school for it. All our life experiences that we cannot or do not easily think about consciously are to be found at our sub-vocal, felt core. Our “artistic eye” and “gut reactions” come from here.

Art whose source is existential is harder to talk about than the more conceptual variety. Talking about it is not much to the point. What is needed is to experience the art: it communicates directly existence-to-existence, artist to viewer, rather than going through an intermediary concept.

The painting I’ve posted here, illustratively I guess, insisted on happening once I was a bit recovered from my abominable abdominal surgery. I was getting “mountain” compellingly. (Mountain, mountain, mountain. All right!) I did not know about the snow – nor that parts of the snow would look like intestines (!) – until later. And there was this insistence on a huge incision mark, which just seemed insane. I brushed it aside as long as I could. But oh no, it had to be.

And now the thing really really speaks to me! It’s deep me talking freely about what just went on.

18
Apr

TNDG

Woman

Here is info on a premier life drawing group of artists meeting regularly in downtown Santa Rosa. Its ancestry goes back to the Bay Area Figuration pioneered by Parks, Bischof, Diebenkorn and such coming out of San Francisco’s version of abstract expressionism. Led by Bill Wheeler, who studied at Yale with Joseph Albers and at S.F. Art Institute with Diebenkorn and Olivera, TNDG nurtures anyone who wants to draw in any style and at any level of expertise. Wheeler encourages artists to push past their comfort zones to explore the dialectic of abstraction and representation.

Thursday Night Drawing Group (TNDG) meets every Thursday (except for holiday and summer breaks) from 6 to 9 p.m. to draw from a model. We have tables set up around a small stage for the model; chairs are available if you want one, and there are artist benches. Artists bring whatever materials they want to use, except no oil paints. Bring an easel if you want one. Anyone who wants to draw is welcome regardless of expertise or experience: just drop in. It’s $12 for all you can draw!

We meet in the large open area of Mario Uribe’s back-street studio off “A” street.

Here are directions if you need them: “A” street is the little street running between the Sears building and the parking mall across from it. Head south on “A” street. Cross 1st street (by Sears tire shop) and continue; this is now “South A Street” and you are discovering hidden wonders of Santa Rosa! Across an intersection and 150 feet down the street on your left is lovely Juliard Park. Pass a few studios and shops for another 100 feet and there on the left is the former A Street Gallery, 312 A Street; the sign on the gallery now says “Gallery of sea and heaven.”

Immediately beyond the gallery on A street is a small alleyway. Turn and drive into it. About 100 feet or so down on your right is Maria Uribe’s place. The studio door says it’s Uribe’s studio, and it has a zen circle painted on it. There is pretty good parking right there and more out on the streets.

05
Apr

litho love

Mysterious Young Woman

so cool!

rummaging through some of my works on paper, i (re) discovered this small lithograph i did awhile back out at bill wheeler’s dreamy ranch!

it is the first (and basically only!) lithograph i’ve ever made. it’s a great process working with big stones and various chemical condiments, but man! is it labor intensive!

bill has this HUGE encyclopedic instruction book — the bible of lithography — i was thumbing through along the way, tho mostly being guided by bill.

btw, i plan to include this piece in the upcoming TNDG show:

RAW Art
On the Line

it opens friday, april 16. reception is 5 – 7 p.m. show runs april 16 – may 21. at artspace404 in downtown santa rosa, ca (404 mendocino ave).

it is a benefit for the arts council. policy is: BUY IT & TAKE IT!

art donated by the thursday night drawing group, now in its 13th year! ♥

29
Mar

Alexandria

Alexandria

This drawing is from Thursday, March 25.

It was done at Thursday Night Drawing Group (TNDG) drawing from the model, as always, from 6 to 9 p.m. at Mario Uribe’s back street studio just off “A” street in Santa Rosa. (Cost: all you can draw, 12 bucks!)

TNDG welcomes anyone who wants to draw.

This was the final drawing of several I did that night, and it was with a longer (20 minute) pose. (We start with 1 or 2 minute gestural poses and gradually increase length.)

I perennially have to shake off from myself the cloying limitations of literal representation that insinuate themselves willy-nilly into my fingers, hands, arms, and whole body – either in the very beginning of a session, before I’m warmed up; or sometimes later, even after freer drawings, when my creativity fades. (“Imagination fatigue”??)

My drawing that night went – as usual – back and forth between being stuck in, or near, the literal; and something freer, better at capturing the inner felt essence of the subject rather than merely the external shell.

A couple of the earlier free drawings I like a lot myself for what they are trying to do, but they are perhaps a bit too mysterious and hard to read for everyone else.

This one that I’ve chosen to post here, though, I thoroughly like, and I think it has broader appeal, too, because it does succeed in presenting an essence.

Yea!

28
Mar

doodle

Happy Little Guy

Doodling while on the phone about something utterly unrelated (surely!) to the drawing.

Luckily, I understand this phenomenon from top to toe! Each of us is actually a busload of differing personalities and characters, often fighting over who gets to be at the wheel. So it’s easy to see that one – or a few – of us can be carrying on a telephone conversation while one – or a few – others, not at all like-minded and having zero interest in the chatter going on, may take advantage of the opportunity to steer the bus down doodle row.

So, at least, it is with me… or us.

27
Mar

breaking my silence…

Mountain Cut

Breaking my silence…

Were you wondering? Maybe not. Anyway it’s two months since my surgery, and I feel great! I’ve been like a hermit for eons, not even (gasp!) blogging!

This is my only painting since The Big Incision. I’ve had one pretty good session at Thursday Night Drawing Group.

Is this painting bizarre or what?! It’s just what came – and it was very insistent! Pretty big, it’s 5½ feet tall, a hair under 4 feet wide. I plan to roll thick dowels onto it top and bottom, make a scroll of it, hang it by a thread.

Oh, so MUCH of what I do hangs by a thread!

This mountain theme has been persistent; they’re like parentheses around my surgery. I hate to be obvious, but it truly has been quite a climb; and the view from up here is fab.

Random news items: I’ve been reading a lot – reviews may come soon. And I’ve been thinking, thinking, thinking, and writing a lot. This looks like either nothing or a long term project, so don’t hold your breath for blog chapters!

Carroll had dinner out tonight, so I made a thick juicy porterhouse steak for myself: scrumptious! And a salad including crumbled Bulgarian feta, which is the world’s best feta. Try it, you’ll love it.

Over and out.

12
Feb

me and my surgery

Drawn (and quartered??)

OK, it’s over, I’m back, and I’m feeling good….

I had major abdominal surgery Monday, January 25.

This pic is me just back from hospital, about 12 pounds lighter, looking like death warmed over. I’ve improved since….

I chose to undergo this surgery, because I wanted to be a whole person again. I knew it would be tough: I had the same operation 11 months ago under emergency conditions, which couldn’t quite finish the job (too risky). It took me five months after that one to choose going through it again.

Pre-op

Operation

Guts

I prepared for it a month: physically (diet), but especially mentally and emotionally, projecting myself into my future self newly healed and whole again. Which was the point.

Bigger and Badder!

Carroll suggested visualizing the institution, which has me sprawled on a gurney wired up and I.V.ed to the max, as caring for me, not imprisoning me. Good idea.

I spent a full week in hospital. Sunday, January 31, talking to the surgeon doing rounds about leaving the next day or two, she said, “Well, you could go home today if you want to.”

This pic is after several days at home, a couple of pounds heavier, appetite good, food good, loving care. It says, “I’m back! Bigger and badder!”

Home! I was well cared for in the hospital, but it remained an alien, stressful place especially at night: no one around, huge empty spaces, eerie lights and sounds, a blank canvas for bad dreams and half-waking paranoia.

Home heals. Don’t ever let anyone tell you home doesn’t matter, it’s just a place. Please: it’s home.

Drawing

Today for the first time since the surgery I did some art – these 6 little pics to tell some of the story. (All are done with India Ink on 11” x 7½” 140 lb hot press Fabriano paper. Oh yes. Ink applied using my favorite ½ inch thick stick, found in my yard.)

That art imagination and energy are visiting me so early in my recovery is amazing! Last time, it was MONTHS before any sign of artistic imagination re-appeared, much less the energy to DO something!

It took a lot of energy. It tired me. AND it fulfilled me, it made me feel good, and it was most healing!

Last time, it was not until i went to New Zealand 6 months later that anything really happened for me in art! Then, finally, a lot poured forth.

This time, not only am i up to something art-wise after lesss than 3 weeks, just look what’s happened with this little self-portrait: I’m completely absorbed in making the drawings, not thinking of myself at all; and I’m younger and better looking….

You can’t really beat that. I mean, come on! Art! It’s magic!

24
Jan

Count down

Climb It!

IT’S A TOUGH MOUNTAIN TO CLIMB, AND THE VIEW FROM THE TOP IS TO DIE FOR!

Looking ahead, less than a day to go, surgery about 9:00 a.m. PST tomorrow. I am calm and confident, looking forward to the event and – most of all – to my future self, whole again in body and wiser in spirit for the task successfully accomplished!

This painting grabbed me by the lapels this morning and demanded that I realize it on paper. The vision of a mountain crag first emerged for me in 2002 on a painting trip I took through Oregon (stopping first at Mt Shasta). It has been haunting me closely these past months, beginning in New Zealand, then in Baja.

Apparently this is a mountain that I need in my life and that, just now, I need to climb.

I’m buckling on my gear, and I’m ready for it. I welcome it! And I will rejoice in the view from the top!

23
Jan

Hidden

Hidden Woman

This is a drawing I made January 14, 2010 at the Thursday Night Drawing Group (TNDG) session. BTW, we’ve been meeting 12 years.

That night, I was using only watercolors on 300lb cold press paper (Arches). That’s the paper with dimples and heavy sizing, so the watercolor stays on top of the paper, easily mixes colors; and, as the load of paint in your brush diminishes, you get these great missed spots of white on the paper peeking through the color. I chose to limit my medium this way to channel my art in new directions.

This piece, which I title “Hidden Woman,” simply leapt off the model into my imagination and then onto the paper.

I saw a strange thing.

The model was entirely nude and exposed, sprawled with her pudendum in brightest light.

Yet her face was invisible, in shadow, hidden.

It might be a comment on our time.

23
Jan

Operation Whole Person

Dread of Surgery

Monday Jan 25th I go in for surgery. Five days in hospital, some weeks to recover. You can read more about it below, if you want. First, the art!

I’ve been preparing for a month in all sorts of ways for this operation. A couple of days ago, two watercolors insisted on becoming visible, and here they are.

Outcome Optimism

The first is “Dread of Surgery.” It’s tiny: 7½” x 5½”. I don’t suppose it needs explanation, and anyway I have no words to add.

The second is “Outcome Optimism.” I need to work on these titles: they are uninspired! But accurate. This one is 11” x 7½”. Again, what you see is what you get.

For your amusement (and mine) I include here also what’s on the BACK of each. It turns out I used paper recycled from a recent culling of my old figure drawings.

The back of “Dread” especially – a Funky Figure – I feel is perfect to accompany the dark “Dread” itself. You surely don’t think it’s an ACCIDENT that it was back there, do you?!?

Funky Figure

The other one, the back of “Optimism,” is totally random.

Medical TMI for the curious/those who love me THAT much:

This is the fix-it follow up to emergency abdominal surgery I had eleven months ago, in late February ‘09. I knew that more remained to be done, but it took me five months to come to the point of being able to imagine CHOOSING to go through that surgery again. Now I’m getting ready to do it (clear liquid diet today and tomorrow).

“Whole person.” You might think this surgery is merely about having a whole body – but believe me, its reach is broader. And on all those levels, I am very stoked to be doing this, anticipating HAVING DONE it and being all fixed up again, the way I was before.

Recovery was slow before – I’m fully back really only the past couple of months in terms of energy; creativity was back in late August, September in New Zealand. Recovery will be faster this time because I’m not going into it sick and near death. Also the anesthesiologist heard my pleas and hit upon ways to keep the various drugs at minimum amounts to do the job. That will help: recovering from the drugs was part of what made it hard before. I’m hoping for fewer (or no!) paranoid hallucinations on the opiates and no cognitive losses once back home, unlike before. I’m an optimist: I think I’ll get all that – and more that I haven’t thought of!

Thanks for listening!

21
Jan

doodle mystery

i’ve paid too little attention to my doodles. mostly, doodles come from deeper than consciousness. so whatever they might be doing – posturing, strutting, slumping, gloating, despairing, whimpering, sniggering, wondering – they’re doing it with no forethought and no agenda. they are honest little brats.

i like ‘em. here’s me, i’m on the phone. if it’s a business call, there are periods of waiting. i doodle. even when the conversation is moving, and even if it’s someone i like talking with, doodling can happen. no necessary relation to the topic, but it might have.

this one. the drawing seems totally random, unrelated to the words, which are pieces of stuff mentioned in the conversation: ABC license and press release. don’t ask; it doesn’t matter.

but the picture: is that a self-portrait? the little guy – is he a thought in the big one’s head? is there any meaning in this at all?

i like the flag lying on a table and then cascading over the edge. late model jasper johns? i don’t think so.

i’m just saying: it’s something to wonder about.

06
Jan

a doodle in space

Doodles are under-reported. But they have rights, too!

Think of doodles as fringe drawings: from the fringes of the unconscious.

B7 Framptis, open valve

Doodles can be our friends. Paul Klee had doodles actually living in his studio! They used to show up regularly at those Bauhaus parties….

The outline of a drawn object represents the place where the object ends and the background (next object, container of the object, etc.) begins.

So what about an object floating in empty space? No outline?! You’d want to blend it into shadowing of the object.

Here is a doodle from Captain Zero’s log, Star Date J709MSQRL1935-2/4/8:

[From the log:] “Depicted: a B7 Framptis disconnected from the jar ball gear and with the slide pelb so worn, it looks as if it’s been pounded with a hammer! Probably the gyroscope oscillator worked loose enough to pound the pelb during maneuvers. It would not have been so loud as to be heard with the engines revved.”

05
Jan

taking the hint

Kant hints

that I am God

looking back at myself

as the world, and in time.

Dare I believe, then

that these moments

of eternity

are as much my homecoming

as they seem?




CLICK on cool links ABOVE:

V I D E O S - art, philosophy, & fun SECRETS OF TIME: Golden Chalice (Book) BIG TIME ART: 6 Chalice Pics large BIOFORMS enlarged: from July 22 post. FLOWER POWER: cut flowers a monotype N U D E S a dozen for the holidays!..... LIFE DRAWINGS (Wisteria) enlarged

d.i.y.: DO IT YOURSELF…THE BLOG AT JAMESMILLIKAN.COM

BOOKMARK THIS BLOG! and WRITE ON IT!

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